May 20, 1988 | Stormy Monday is a sleek, smoky romantic thriller, the sort of atmospheric neo-film noir that even very experienced directors seldom manage to pull off. Surprisingly enough,…
June 22, 2001 | When the graybeards among us bitterly grouse about Hollywood's inability to “make them like they used to,” chances are good that the complainers aren’t pining for the…
November 16, 1990 | During the opening seconds of To Sleep With Anger, a middle-aged, sturdily-built black man, all decked out in his Sunday best, sits on a cane chair near…
August 31, 1994 | At the start of Fresh, the drop-dead brilliant film by first-time writer-director Boaz Yakin, the title character is introduced as he makes the early-morning rounds of…
June 25, 1993 | Comedy, Steve Martin once noted, is not pretty. The makers of Feed, the savagely clever documentary premiering this weekend at the Rice University Media Center, would likely…
February 12, 1993 | In synopsis, Groundhog Day sounds like some lesser episode of The Twilight Zone. In coming attractions trailers, it looks even less promising — more like Caddyshack 3.…
January 17, 1987| Right off the top of my head, I can’t think of anything very harsh to say about Echo Park, an innocuous comedy-drama about ambitious eccentrics in a…
Echoes of gritty ‘70s revisionist westerns – think Peter Fonda’s The Hired Hand, or Robert Benton’s Bad Company, or Robert Altman’s McCabe & Mrs. Miller — reverberate throughout News of…
October 29, 1993 | In the opening moments of Fearless, a deeply affecting and profoundly unsettling new film by Peter Weir (Witness), we are plunged into the story with a disorienting…
March 30, 1990| Filmmaker Alan Rudolph is a dreamy, deep-dyed romantic, as anyone who has seen Choose Me, Trouble in Mind or Made in Heaven can readily testify. His moody meditations…